Jules Hart
Tenor / Soulful Modern R&B & Gospel Runs
Atlanta, GA / Remote
Vocal range — declared on the 88-key scale
Casting facts
- Genre
- R&B / Soul·Gospel
- Soundalike
- Leon Bridges·Miguel·Sam Cooke
- Texture
- Rasp / Grit·Smooth / Silky·Breathy / Airy·Warm / Round
- Techniques
- Falsetto lead·Vocal fry·Growl / distortion
- Vibrato
- Light, late onset·Operatic / wide
- Mix
- Heady mix·Balanced mix
- Timbre
- LOW — Dark · chesty weight
- Works on
- Album·Background Vocals·Video Game·Demo Vocal·Commercial Backgrounds
- Languages
- English·Portuguese (BR)·French phonetic
- Terms
- Books up to a full day
- Specialty
- Gospel Stacks·Ad-Lib Runs·Vocal Layering
- Dry lead
- Comped (assembled from own takes)
- Reads
- No sight-reading
Signal chain — declared, and audible in the dry pass
Capture
Example figures — not a measurement.
Library quiet
A working floor. Printed compression places the file number lower than the room deserves.
Chain:Sony C-800G → Avalon VT-737sp → UA Apollo Twin X
DAW:Pro Tools · ADVANCED· Comping, Melodyne, Fades
Turnaround:12h standard delivery
These are measured checks, not self-ratings — the same code the Vocal Reel Certifier runs.
The reels
Produced and mixed — the montage that sells the voice.
Your real voice (single pass or comped) — proof of what actually leaves your room.
The standard — measured on the left, declared on the right
Your audition notes
Nobody at Tracked Vocals scores a voice. This page reports what was measured; the judgement is yours. Scored while listening at www.trackedvocals.com/v/jules-hart
In the room by — non-stop flight estimate
Verified credits
- BGV / stacks
- Midnight Serenade — ALBUM, 2024
[DECLARED] “Stacked falsetto chords on the pre-chorus, ad-libs on the outro”
- BGV / stacks
- Ridgeline (main theme) — VIDEO_GAME, 2023
[DECLARED] “Low chest chant and ad-lib harmonies under the theme”
Performance footage
https://www.tiktok.com/@example/video/7300000000000000002
https://www.instagram.com/reel/CxAmPlEReeL2/
https://www.youtube.com/watch?v=eRsGyueVLvQ
https://www.youtube.com/watch?v=YE7VzlLtp-4
How these numbers were made
Measured, not claimed. Reel length, integrated loudness (EBU R128 / ITU-R BS.1770-4), sample peak, true peak, clipped runs, edit discontinuities (on the dry lead) and noise floor are computed from the uploaded files by the Vocal Reel Certifier. The capture strip on this sheet is those measured checks, not self-ratings. The same code runs in the browser tool and on the server, so the two can never disagree about a file. The full spec is on The Standards.
Noise floor is the mean RMS of the quietest 10% of 50 ms windows in the dry audition, and assumes ordinary session gain staging (peaks ≈ −6 to −10 dBFS). Printed compression raises the file floor dB-for-dB with its makeup gain. That is why we report the room and the file separately when a room-tone capture is present. A mixed reel is not a room, so a produced file never sets this number. Noise floor: a working definition.
Declared facts — gear, languages, genres, terms, years — are the singer's own statements. They are labelled as such and never presented as verified.
Credits appear only after a human checks them against a source. Unverified claims are not printed.